In this theatrical scene, the oblique view from the wings of the stage,
cropped figure in the foreground, and focus on the central,
charismatic singer recall compositional devices in Toulouse-Lautrec’s
posters depicting Paris music-hall performers. This, however, is a
scene from Isidore de Lara’s opera Messaline, which the artist saw in
Bordeaux in 1900. After attending several performances, he painted
six scenes from the tale of Messalina, the depraved wife of the
Roman Emperor Claudius. In the last act, Messalina is enthroned in
the imperial loggia at the arena. Her discarded lover, the poet Harès,
dressed in red, will try to kill her. His brother Hélion, a gladiator and
her new lover, will unknowingly murder his brother and, in despair
upon learning of his fratricide, enter the arena to be killed by lions.
Toulouse-Lautrec: Messaline